kestrell: (Default)
Edinburgh University Press is running a Literary Studies free access campaign throughout January. The free access campaign includes 25 literary studies journals - browse them all here: https://www.euppublishing.com/literarystudies

Of note to comics fans is the latest issue of Gothic Studies:

Gothic Studies: Vol 25, No 3
Gothic and Comics
https://www.euppublishing.com/toc/gothic/current
kestrell: (Default)
I recently read about Vizling, an app being developed by Professor Darren Defrain, who was awarded $100,000 from the National Endowment for Humanities, to help visually impaired people read comics. (The app is currently undergoing testing and is expected to launch in June.)

Some sighted people ask, "Why would a blind person care about comics?" and, since I have a personal history with comics, I thought I would write about some of my experiences.

I grew up with low vision in my left eye, and totally blind in my right eye, but I was both a bookworm and an art student, so I was a very visual person. I was that kid in the class that other kids would come to and ask to draw horses, unicorns, or monsters. As a teenager, I used to visit the local comics store. I even pre-ordered and waited in line to get my copy of Frank Miller's The Dark Knight Returns.

Years after I went blind, I met a man who asked me out a couple of times, but I turned him down, until one day he offered to read me a comic he had told me about. A little over a year later, we got married. The graphic novel he read to me was From Hell, and that's why I refer to Alan Moore as our Cupid. Alexx, my husband, is a serious comics geek. No, I mean, geekier than that. I mean, thanks to Alexx, I have the fact that Clancy Brown played the voice of Lex Luthor in the animated TV series of Superman embedded in my brain. When, in the original broadcast of Buffy the Vampire Slayer, Xander made a joke about red Kryptonite that fell flat with his female friends, I turned to my Alexander and said, "Tell me about the red Kryptonite," and he explained the reference. Now, "Tell me about the red Kryptonite" is our cue for geeking out about comics.

Thus, when I was taking a comics course with Henry Jenkins in the media studies program at MIT, Alexx was my reader and describer of comics. My personal favorite was David Mack's Echo. Echo is a deaf Native American, and she is often dismissed as merely being one of Daredevil's ex-girlfriends. But she is so much more than that. You know she is seriously kickass when Wolverine shows up as her spirit guide. HER SPIRIT GUIDE. I love you, Echo!

As for other superheroes with disabilities, I also love Oracle. Formerly Batgirl, she took the name Oracle after she became disabled, and transformed herself into a superhacker.

It's these self-transformations in response to disability and trauma, the intentional creation of personae (from the Greek word for masks) and alter egos, that fascinate me. When I lost the last of my functional vision in my early twenties, I originally thought of myself in terms of relearning how to do all the things I already did, staying the same person, rising like a phoenix from the ashes of my old life.

Then it struck me how boring that would be.

That phoenix remains the same phoenix forever, never changing.

So I decided I would be a shapeshifter, a trickster, someone who, rather than feeling compelled to stay within the lines and do everything just like everyone else (i.e., sighted/"normal" people), I would instead invest all that time and energy trying new things.

Which is how I ended up going back to college to complete my undergraduate degree, becoming a disability advocate, and then attending MIT as one of Henry Jenkins's grad students.

The heavily drawn lines of borders or frames may seem to act as restrictive boundaries but, in the comics I love, they are more like thresholds, a liminal marker which the character might step, fall, fly, or explode out of at any moment. A character's persona might be "killed" figuratively or literally, through trauma, tragedy, or murder (often prompted by the hiring of a new writer and/or artist), but there is always the opportunity for some shapeshifting.

If you do a web search on the topic of comics and disability, you will find hundreds of posts by fans with disabilities, and also academic papers by scholars, some with disabilities, some not, writing about comics and people with disabilities. In recent years, however, creators of comics and movie studios have been compelled to listen to people with disabilities and frame these characters with more respect and realism. In the past few months, we've had the release of The Eternals with a deaf character, and the Disney+ series Hawkeye, which features both a main protagonist with hearing aids and Echo herself (it's rumored that Echo will also be getting her own series).

During the pandemic, Alexx and I have been reading one of my comfort comics, Squirrel Girl and, although the comic has ended, there were a couple of novels I hadn't read. It turns out that the novels feature a junior high Doreen Green before she becomes Squirrel Girl, and she meets a friend, Ana Sophia, who is deaf. At one point, Doreen says, "Someone once said with great power comes great accessibility -- no wait, that doesn't sound right." Trust me, it was a good phrase and, like, really inspiring. (The Unbeatable Squirrel Girl: 2 Fuzzy, 2 Furious, Shannon Hale and Dean Hale [2018]).

In trying to locate the earliest occurrence of this phrase, I came across this post about Stan Lee's death: With Great Power Comes Great Accessibility – How the Death of Stan Lee Affects the Disability Community - Rooted in Rights by Patrick Cokley, which discusses Stan Lee's creation of characters with disabilities, including his co-creation of the X-Men, which has become a major source of identification for many people with disabilities, and even more LGBT people.

Finally--and this is a connection with comics which I always carry with me, but which I often forget about--I have a pair of prosthetic eyes. About a decade ago, I needed to get a new pair and I decided to ask my ocularist (the technician who creates the prosthetic eyes) to make mine to look like Delirium's eyes in Neil Gaiman's Sandman graphic novel. Delirium has one bright blue eye, and one bright green eye and, to follow up on my idea of shapeshifters, most of Delirium's appearance--her hair color, her hair length, her style of clothing--and she is the epitome of whimsy. What I really liked about this idea was that people with prosthetic eyes are always portrayed in media as having these absolutely obvious, ugly eye prosthetics but, in truth. prosthetic eyes are designed to match each individual person's original eyes (unless you're like me), and the the technicians who create them take hours, over a period of days, to make them. I loved the idea of having prosthetic eyes based on art. Also, I met Neil Gaiman at a convention some time later, and he pronounced them "Perfect."

In closing, I want to point out that comics are a major part of our culture, whether we experience them in graphic novels, movies, novels, toys, video games, T-shirts, tattoos, or a hundred other forms of media. Media is a shared source for how we communicate with one another, how we spend time with one another, how we form our ideas of heroes, and friends, and virtues, and a dozen other concepts.

Most of all, comics are built on the foundation of being able-bodied versus disabled. All we have to do is look at one of the ultimate comics heroes, Captain America, who started out as a disabled young man who used crutches. He used to get beat up by bullies, but he always got back up again, saying, "I can do this all day." And then he participated in a secret Army experiment and became the superhero Captain America, who is not only physically strong but morally the most virtuous of the Avengers (he can even wield Thor's hammer, Mjölnir). More than any other superhero, Captain America literally embodies the synthesis of physical and moral integrity, and even social integrity in his role of "Cap," the older, fatherly leader of the Avengers.

So, considering all the ways that comics present and represent images of people with disabilities, it's past time that we find ways to make comics more accessible to people with disabilities themselves. In the disability movement we have a saying, "Nothing about us without us," and, in creating a more inclusive conversation regarding the many intersections of disability and comics, projects such as Vizling need to be supported and encouraged both by academics and fans.
kestrell: (Default)
A friend and I were talking about books that have made us, or make us, feel better, and we got talking about comics, and I mentioned Squirrel Girl. My friend didn't know who Squirrel Girl was, and I was at a loss as to how to describe the wonder that is Ryan North's Squirrel Girl, so all I said was, "Trust me, Squirrel Girl who who you need right now."

When I mentioned this conversation to Alexx he replied, "Squirrel Girl is who we all need right now."

So, if you feel as if the world is a big scary place and everything you read just makes you feel more anxious:

Go read Ryan North's Squirrel Girl. Trust me, you'll feel better.

Note: Ryan North's incarnation of Squirrel Girl is also a great comic to read to blind people, because she has lots of conversations, even with supervillains, instead of just punching them. One of the best parts is her conversations with her best friend Nancy, and her squirrel partner, Tippitoe (I hope I spelled that correctly) and, if you really need a perk, check out the pictures from fans at the back, including all the girls of all ages who cosplay Squirrel Girl.

Finally, if Ryan North reads this: you may not be an astronaut- Lieutenant Governor of Canada, but, in Kestrell's world, you are very cool.
kestrell: (Default)
I admit that I found a lot of the description about the circles really confusing, although I expect it would make sense in the actual material form. Still, it was great reading about someone playing with the comics format.
http://www.hallo.pm/life/?et_mid=622880&rid=232919196
kestrell: (Default)
Kes: It would be great to find more stories like this, perhaps with people creating their own superheroes with disabilities.

From the Daily Bits Web site
http://www.dailybits.com/marvels-new-superhero-blue-ear-created-deaf-boy/#more-6625

block quote start
Anthony Smith is a four-year-old boy who has medical conditions, including total deafness in his right ear and some hearing loss in his left. He has been using a hearing aid, but as things go with little boys, he just suddenly didn’t want to wear the device anymore.

His reason?
Superheroes do not wear hearing aids.

Parenting perspectives aside, how do you argue with a little kid about superheroes not wearing hearing aids?

Fortunately, Anthony’s mom seems to be quick on the ball. After hearing her son reason his way out of wearing his hearing aid, she got in touch with the guys at Marvel Comics via e-mail. To be honest, I am actually surprised that they got back to her. Just imagine the volume of e-mails they must receive!

In any case, the Marvel’s response is brilliant. They sent back an image of Hawkeye, who suffers from 80% hearing loss. This was in reply to Anthony’s mom asking for an example of a superhero who uses a hearing aid.

It gets better. Marvel created a new superhero just for Anthony. They call him Blue Ear, and guess what? He is named after Anthony’s hearing aid, Blue Ear.
block quote end
kestrell: (Default)
KRONCH FA-THOOM BUDDABUDDABUDDABUDDA: Performing Sound Effects in Comic Books
And because it is fun hearing my screen reader pronounce the title
KRONCH FA-THOOM BUDDABUDDABUDDABUDDA: Performing Sound Effects in Comic Books
http://www.full-stop.net/2012/03/05/blog/martyn-pedler/kronch-fa-thoom-buddabuddabuddabudda-performing-sound-effects-in-comic-books/
kestrell: (Default)
Kes: 'Cause you know what a hotbed of radical politics "Archie" is. Also, am I the only one who as a kid thought the comic would be more interesting if Betty and Veronica were the main couple?
http://www.guardian.co.uk/books/2012/mar/02/archie-gay-marriage-issue-sells-out
kestrell: (Default)
It's Ling Woo from Allie McBeel
vs.
Lex Luthor
http://alum.mit.edu/pages/sliceofmit/2011/09/26/vote-mit-cornell-fictional-alumni-face-off/?tr=y&auid=9575939
--original and witty responses count toward tipping the balance
kestrell: (Default)
http://vimeo.com/19119108
Via The Art of Darkness
http://www.shadowmanor.com/blog/?p=9980
which gives a description of the original comic conceived of by a five-year-old who, of course, makes more interesting stories than most of what's on the bestseller list nowadays.
kestrell: (Default)
Kes: The superpower of being able to bend metal with one's mind just isn't talking to me, short of being able to turn SUVs into accordians on wheels (though really, I don't think they need me to help much with that).

All I want is a disabled superhero who kicks ass, has a hot sex life, and isn't so broody that I want to slip a whoopie cushion down his spandex tights--that's not really asking for too much, is it?

Also, I would be interested in a description of the chair--my dream wheeled superhero has an elegant steampunky thing, but I'm not expecting this to be it.
http://www.metro.co.uk/news/842113-silver-scorpion-to-become-first-disabled-muslim-superhero

Bad falcon

Apr. 29th, 2010 07:39 am
kestrell: (Default)
Kes: Thanks go to my wonderful ff LJ user alexx_kay who wrote the descriptive track for this Web comic--I am trying to get this on a t-shirt, as I think it just says :Kestrell" so well.

Bad Falcon

Panel 1:
Several sad gnomes imprisoned in a box, looking out between bars. They
all look like stereotypical garden gnomes, with long white beards and pointy red hats.

Panel 2:
The gate of the cage begins to open, startling the gnomes.

Panel 3:
Wide shot. In the far background, the opened cage. Mid-to-foreground, gnomes fleeing for dear life. Mid-ground right, an evil sorceress with
long red hair, very skimpy clothing, and a leather gauntlet on her right arm on which rests a hooded falcon.

Panel 4:
The sorceress whips off the falcon's hood and shouts, "KILL!"

Panel 5:
As the sorceress grins in anticipation, the falcon's eyes begin to glow with golden energy.

Panel 6:
"K-ZOWTCH!" Laser beams shoot out from the falcon's eyes, reducing the gnomes to ashy skeletons.

Panel 7:
The sorceress frowns at the falcon, steamed.

Panel 8:
The sorceress waggles her left index finger at the falcon. "Bad falcon!
Lazy!" The falcon's beak is open as it looks at her, but it makes no reply.

http://oglaf.com/badfalcon/1/
kestrell: (Default)
I still have very little voice: I can whisper at level 1 and, for short bursts, at volume 2, like if I need to check my voice mail on my cell phone (the irony of a cell phone with voice recognition commands). The thing about whispering is that it's like yawning: occasionally people automatically start doing it too. I don't sound as scary as Whispering Wendy, though. Whispering Wendy is this evil-sounding synthetic voice. You may wonder, how evil can a female voice named Wendy sound? Well, the way I've always imagined the backstory is that Tinkerbell succeeded in offing Wendy, leaving Wendy this disembodied ghost that acts as a sort of psycho-dorm mother for the Lost Boys. I like to contemplate Whispering Wendy and Coraline's mommy in a smackdown.
But you can check out Whispering Wendy for yourself
http://www.cs.indiana.edu/rhythmsp/ASA/AUfiles/35e.AU

Today I cross-referenced and decluttered my laptop hard drive and backed up all my ebooks. For the curious, my ebook directories are Drivers, Fantasy, Horror, Nonfiction, Media & Cultural Studies, Science Fiction, and Writing, with appropriate subdirectories. Horror, Fantasy, and Science Fiction get their own directories due to size.

This morning I finished scanning Wade Davis's _Passage of Darkness: The Ethnobiology of the Haitian Zombie_ (1988), which is, basically, a more academic version of his _The Serpent and the Rainbow_ (1985), which is one of my favorite books. There is a lot of good material for untold zombie stories, mostly in how Davis proposes the theory that the process of creating a zombie cannot be separated from the culture and the community, that the medical ingredients of the zombification powder are basically inert without belief, and that making a person into a zombie was a form of social punishment against someone who had betrayed or exploited his community (in a Haitian community, for instance, Scrooge could have been turned into a zombie, and wouldn't that be a creepy sight, all those poor street urchins and starving mothers silently watching Scrooge shamble through the foggy streets of London?).

Another good zombie story: "The Dead One" (2007), a film featuring a Day of the Dead narrative based on the graphic novel "El Muerto" by Javier Hernandez, although I've had no luck finding a copy of the comic to purchase. There is some really wonderful imagery, and the story delivers a few surprises along with a rich mythology.

And here's another cool comic which Alexx read to me last night: Volume 2, Issue 1 of "Locke and Key" written by Joe Hill, illustrated by Gabriel Rodriguez. No zombies but there are ghosts, and a spooky house, and many many strange keys. This issue also answers the immortal question: what does a ghost bring to a knife fight? An ectoplasmic chainsaw.

I need to say that again: an ectoplasmic chainsaw.
kestrell: (Default)
DAY: Thursday
DATE: December 17, 2009
TIME: 6:00 pm
ROOM: MIT 26-100, access via 60 Vassar Street, Cambridge
MAP: http://whereis.mit.edu/?selection=26

Please join us as Randall Munroe, creator of the wildly popular web-comic
"xkcd," visits MIT to give a mini-talk about his new book and the school
it's funding in Laos. Plus, he'll answer some of your questions. Books will
be available for sale afterward and he'll be doing a signing!

Books are also available now at The MIT Press Bookstore.

Thanks to Breadpig <http://www.breadpig.org>, the Berkman Center at Harvard,
<http://cyber.law.harvard.edu/>, and the folks behind ROFLCon
<http://roflcon.org> for their help making this event possible.

For more information call (617) 253-5249 or email books@mit.edu.
kestrell: (Default)
This is actually reposting my most recent LJ post, but I already set up cross-posting so sorry about the redundancy.

This weekend was the calm before the storm as [profile] alexx_kay and [personal profile] herooftheage head into the final week of rehearsals before the big production of Henry V, but that doesn't mean we felt as if we had had enough of Will yet.

On Sunday, [profile] alexx_kay and I watched the last few episodes of
John Barton's DVD series "Playing Shakespeare," which I will be reviewing for Green Man Review. For now, I will merely point the curious to
the Playing Shakespeare page on AthenaLearning.com
http://athenalearning.com/programs/playing-shakespeare/episode-highlights
and the Playing Shakespeare page at IMDB
http://www.imdb.com/title/tt0086780/ .
The Athena Learning page is wonderful and includes all sorts of extras and links to other resources, which is handy as I am hoping to find an etext of Henry V to read this week.

On Saturday, [profile] alexx_kay and I watched
Julius Caesar (Dir. Joseph L. Mankiewicz, 1953), which featured Marlon Brando as Mark Antony, James Mason as Brutus, and John Gielgud as Cassius. Here is a nice long video which includes the scene in which Antony confronts the assassins and, if you wait for it, Antony's "dogs of war" speech
http://www.youtube.com/watch?v=5KXhfjOkKPM
and
http://www.youtube.com/watch?v=esUMvBL3gnY

You can read [profile] alexx_kay's review here
http://alexx-kay.livejournal.com/256598.html

Of course, after watching Julius Caesar I had to hear the bit from Free Enterprise in which Bill Shatner performs his version of Julius Caesar, so [profile] alexx_kay found that for me on YouTube
http://www.youtube.com/watch?v=3yerCiByca4

Also scattered throughout the weekend, [profile] alexx_kay read me the first volume of the graphic novel _Lock and Key_ by Joe Hill and Gabriel Rodriguez. It features a trio of siblings who move to Lovecraft, Massachusetts, after the violent murder of their father, only to find themselves exposed to more violence and a very creepy house where sometimes a door is more than a door. I love the house and the lock and key images, and the monster in the story which promises to provide a source of ongoing threat and mystery.

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