kestrell: (Default)
Next week I will begin the final two weeks of training in my web tester course taught by the Carroll Center for the Blind, and my plan for after I finish this course (because *of course* I have a plan) is to learn more about making media accessible, so I'm excited that there is a day dedicated to making people more aware of audio description.

Text taken from an announcement email by the Perkins School for the Blind:

Today, April 16, marks Audio Description Awareness Day.
What is audio description? It's descriptive narration of key visual elements in movies, theatre, and more.

It's also something really important to all of us at Perkins. Audio description, assistive devices, and assistive technology are all ways that we can simply make the world more inclusive for all. It fits right into our mission here that we believe EVERY child can learn.

What can you do? We got you covered.

3 stories on audio description & more

Audio description: Best practices
As experts in the field, Perkins is here to share our best practices for audio description for our community.
Learn more
https://www.perkins.org/resource/audio-description-best-practices-guide/

Communicating with Josias
Josias in Mexico is just one of many children who have grown and thrived with the help of assistive devices.
Meet Josias
https://www.perkins.org/communicating-with-josias/

Assistive technology bracket results
Loving the madness in March, Perkins joined in on bracketology with our very own assistive tech bracket!
Find out the winner!
https://www.instagram.com/p/CcBVeRTuzde/

Children's Day in Mexico

Children's Day, or Día del Niño, is on April 30. Learn about the holiday and meet Tere, a child in Mexico, whose story demonstrates why the holiday is so important to celebrate.
Check it out
https://www.perkins.org/in-mexico-childrens-day-celebrates-kids-like-tere/
kestrell: (Default)
WebAIM: The crisis is real: Where are the web accessibility professionals?
Like everyone in the web accessibility field, WebAIM has a vested interest in a sufficiently-sized community comprised of skilled professionals. The shortage of qualified talent is felt by all of us. But from where will these individuals come, and how can we accelerate their availability?
https://webaim.org/blog/web-accessibility-professionals/

The Case For Describing Race In Alternative Text Attributes
This is an excellent article by Tolu Adegbite on why we need to get more descriptive in some alternative text descriptions
https://ux.shopify.com/the-case-for-describing-race-in-alternative-text-attributes-a093380634f2

Hitting The Books: The Decades-Long Fight To Bring Live Television To Deaf Audiences
Engadget has a write up on a new book by Harry G. Lang on the history of closed captioning in the United States
https://www.engadget.com/hitting-the-books-turn-on-the-words-harry-lang-gallaudet-university-press-163045001.html

A Blind Tech Consultant Finds His Calling
Legally blind from birth, Julian Vargas's old cell phone led him to a new career in training other blind people how to use technology
https://www.pcmag.com/news/a-blind-tech-consultant-finds-his-calling

These links were culled from this week's Top Tech Tidbits newsletter. You can view the entire newsletter, search the archive, or subscribe on the website
https://www.toptechtidbits.com/
kestrell: (Default)
From the announcement email:

Superfest35 is here!
October 15th-17th
Free passes STILL available!

Text reads: Superfest Disability Film Festival. Celebrating 35 years. Get your virtual passes at superfestfilm.com. October 15, 16, 17. Film strips line the top and bottom with various film stills. One features an illustration of a white woman with Down syndrome wearing a multicolor shirt, one features a drawing of a blind Japanese woman, and another features a Black woman dancing in a powerful stretch.

Today is the day! You can now officially begin watching our 2021 line-up of 21 incredible films at any point from now until midnight on Sunday October 17! Once you begin a screening, you will have 72 additional hours to finish so just make sure to sign in by Sunday night.

If you haven't grabbed your passes yet, no worries. There's still plenty of time!

Read on for a reminder of the festival schedule, including our event with Sins Invalid TONIGHT, and we hope you enjoy this year's films!

Get your pass for Superfest now
https://superfest.eventive.org/passes/buy


Superfest On Demand
Watch these at any point from now until midnight on Sunday October 17! Once you begin a screening, you will have 72 additional hours to finish so just make sure to sign in by Sunday night.
• 21 incredible films,
see the lineup here!
http://www.superfestfilm.com/2021-films

Once you've got your pass and you're logged into Eventive....
o To access the films with open captions without audio description, click this link.
https://watch.eventive.org/superfest/play/6139211b7afeba006cbb8c89


o To access the films with open captions and audio description, click this link.
https://watch.eventive.org/superfest/play/613926c24c8923002939ddb5

• An intro from our festival director Cathy Kudlick
https://watch.eventive.org/superfest/play/6142799a78e8251796e285b9/6142697bd017ae0029e7b42d

• Filmmaker panel #1: "The Art of Cinema Audio Description: Beyond Compliance"
https://watch.eventive.org/superfest/play/6142799a78e8251796e285b9/61648556ee06a20045608964

• Filmmaker panel #2: "A Behind-the-Scenes Look at Sign Night and Deaf Filmmaking during COVID-19"
https://watch.eventive.org/superfest/play/6142799a78e8251796e285b9/61562902642a3b005468369b

continued below cut )
kestrell: (Default)
At the beginning of the podcast I mention below, there is a brief ad, and I wanted to confirm what it said was still true, which it is:

Deque University Scholarships for People with Disabilities
If you have a disability, you qualify for a scholarship to access to Deque's in-depth web accessibility curriculum for a full year (normally $315) at no cost.
https://dequeuniversity.com/scholarships#:~:text=If%20you%20have%20a%20disability,normally%20%24315)%20at%20no%20cost

Will VR be Accessible?
13 Letters podcast April 16, 2020

Will Butler from Be My Eyes interviews Larry Goldberg, head of accessibility at Verizon Media. Larry spent twenty years at WGBH in Boston developing the National Center for Accessible Media (NCAM), and in this interview he discusses much of the history of innovations such as close captioning and audio description.
https://www.bemyeyes.com/podcasts/will-vr-be-accessible
Listen through Spotify
https://open.spotify.com/episode/0VsGfjRZEsw3Gf8FSrdcDV

Note: VR isn't really discussed until about 67% of the way through the podcast, but Larry has many fascinating stories about the history and people involved in the history of accessible technologies.

Inside the Verizon Accessibility Lab
https://www.youtube.com/watch?v=grK0ihVi-FA

This Q&A with Larry Goldberg contains links to many of the resources he mentions in the podcast
https://equalentry.com/qa-with-larrygoldberg-headofaccessibility-verizonmedia/#:~:text=Larry%20Goldberg%20leads%20Accessibility%20at,and%20audio%20description%20production%20unit.

xr access initiative -A community committed to making virtual, augmented, and mixed reality (XR) accessible to people with disabilities
https://xraccess.org/#content
kestrell: (Default)
I just saw this LifeHacker article on How to Easily Edit Audio and Video with Descript
Edit Audio and Video Like a Text Document With Descript
by Brendan Hesse
https://lifehacker.com/try-this-program-to-edit-audio-and-video-like-a-text-do-1845466379

I haven't tried it out, but I'm wondering if this would be an accessible way to edit audio and video for visually impaired people. Yes, there are accessible programs out there but they all seem to have a pretty high learning curve, like the ones mentioned in the LifeHacker article.

Will post about results when I try it.
kestrell: (Default)
This article
https://www.howtogeek.com/662339/how-to-join-a-zoom-meeting/

lists multiple ways to join a Zoom meeting.

However, I've found that using my PC involves tweaking way too many settings, so instead have whoever sets up the meeting send me a text with the OneTap link in it.
Troubleshooting I have had to figure out so far:
1. Sometimes if the person sending the text includes other text, aside from the link, in the text, it makes it difficult for me to click on the link.
2. Sometimes when I get into the meeting, Voiceover says that I am muted and it doesn't matter how many times I use the unmute command of *6, I just get repeatedly muted, and at some point my onscreen keyboard gets dimmed and I can't get it undimmed to unmute.
I haven't found a way to tweak the keyboard dimming setting, so every few minutes I flip my phone up and then back down to the horizontal position, which refreshes the keyboard.
There has to be a better way to accomplish this but, since I am using Voiceover, it changes many of the default commands, so it's difficult to find troubleshooting fixes that also work with Voiceover.
Many users who are more confident using an iPhone turn Voiceover off while using other apps, but I'm not at that level yet.

Finally, let me once more plug the national Braille Press nbp.org for providing a pile of technology guides for blind and low-vision users. Anna Dresner's books, in particular, are both detailed and clearly written, and you will definitely get your money's worth from any of her guides.
Note that, although it is called the "Braille" Press, you can get these guides in all sort of accessible formats, including Daisy, and that you can buy these books already loaded ona thumb drive so that you just plug them into whatever device you use to read your books.
kestrell: (Default)
Posted to the Art_beyond_sight_advocacy list
http://www.nfbnet.org/mailman/listinfo/art_beyond_sight_advocacy_nfbnet.org

Audio Description Course - Spring 2011
Study Audio Description at Montgomery College this Spring!

Audio Description is a literary art form. It's a type of poetry--a haiku. It provides a verbal version of the visual--the visual is made verbal, and aural, and oral. Using words that are succinct, vivid, and imaginative, describers convey the visual image from television and film that is not fully accessible to a significant segment of the population * and not fully realized by the rest of us--the rest of us, sighted folks who see but who may not observe.

Audio describers provide services in various multi-media settings, including theater, television, video, film, exhibits, museums, and educational venues--but also at circuses, rodeos, ice skating exhibitions and myriad sports events.
Instructor Joel Snyder, President of Audio Description Associates, LLC www.audiodescribe.com jsnyder@audiodescribe.com
Course details at http://campaign.r20.constantcontact.com/render?llr=tswsbvdab&v=001QYDB14zrJ4_6HSSmGIJGLP5z26zPXBgpGadKzt9LHcxZON8cK4nfZG06eY16p1msigIH1VyXlXqWLxt3BEFukG-mdL7AsPHpgvosha94xZcENi3TdLoGmg%3D%3D
kestrell: (Default)
Kes: This Boston Globe article
http://www.boston.com/ae/movies/articles/2010/10/18/a_reel_deal_for_blind_deaf/#
talks about why there will soon be a lot more movie theatres showing accessible films with descriptive narration for blind and deaf moviegoers. My own experience with these films is mixed, as when the earphones work, it's great, but two out of three times the earphones don't work. I think there might be specific spots where you are supposed to sit to receive the transmission, but the theatre staff is consistently clueless about being able to give any suggestions.
Also, I sitll like to tell the story of my very first experience with descriptive video. I went to see Spiderman and it began with the narrative description: "A woman in a toga holds a torch high..." and I was thinking, "Toga? I don't recall there being togas in..." which is about when I heard "the Columbia Pictures logo." Alexx still starts all film descriptions by describing the studio logos.
kestrell: (Default)
Posted to the DTB mailing list

IBM Research-Japan and WGBH's Carl and Ruth Shapiro Family National Center for Accessible Media (NCAM) are conducting a joint study via
an online survey on the applicability of speech synthesis for audio description of Web-based video.

Adults (18+ years of age) who are blind or have low vision will be asked to share their opinions about a few short video clips which include synthesized description.

NCAM is seeking participants with a range of familiarity with synthesized speech (from little or none to regular users) and as well
as familiarity with audio description (from little or none to regular users).
continued below cut )
kestrell: (Default)
Posted to the NCAM announcement list

The Carl and Ruth Shapiro Family National Center for Accessible Media at WGBH (NCAM) has written guidelines for content providers who would like to create accessible iTunes U media via captions, subtitles and audio descriptions. This guidelines document provides step-by-step documentation on creating fully accessible media, including:

- Closed captions and audio descriptions that the user can turn on or off as needed.
- Open subtitles and descriptions that are available to everyone watching or listening.
- Closed subtitles for adding multiple language tracks to video files.
- Accessible PDFs.

Also included with the guidelines are links to eight video and audio clips that illustrate the various forms of accessible media discussed in the document. Using these guidelines, iTunes U content providers can create content that all people can learn from including people with vision and
hearing loss.

To access the Creating Accessible iTunes U Content guidelines document and related media, see Creating Accessible iTunes U Content on Apple's iTunes site,
<http://deimos3.apple.com/webobjects/core.woa/browse/wgbh.org.2010579900>.

About NCAM and WGBH
The Carl and Ruth Shapiro Family National Center for Accessible Media at WGBH is a research, development and advocacy entity that works to make existing and emerging technologies accessible to all audiences. NCAM is part of the Media Access Group at WGBH, which also includes The Caption Center (est. 1972), and Descriptive Video Service® (est. 1990). For more
information, visit http://access.wgbh.org.

WGBH Boston is America's preeminent public broadcasting producer, the source of fully one-third of PBS's prime-time lineup, along with some of public television's best-known lifestyle shows and children's programs and many public radio favorites. For more information, visit http://www.wgbh.org.

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