kestrell: (Default)
One of the wonderful things which Alexx and I get to enjoy in our shared childhood is Daniel Pinkwater books. I didn't really have children's books around when I was a kid, but that's okay, because they are possibly even more fun to experience as an adult, when I can really appreciate them. It's really difficult for me to pick a favorite, because they tend to be so vastly different from one another that each one has its own unique pleasures and surprises, but I looove both the Da Da Ducks and the cat-whiskered girl: the Da Da Ducks because they are absolutely fearless about not conforming to the insidious social pressures which don't really go away, even once we are assumed to have outgrown our teen years, and the cat-whiskered girl because she sees uniqueness and wonder and purpose in things which other people dismiss as scarey and/or broken. The original surrealists seem to have had an antagonism toward blind people, perhaps because so much of what they preached was about an intentional mis-seeing or skewed vision of the world and, for them, blind people kind of threatened their own claim as being the world's original mis-perceivers, but for Pinkwater, surrealism seems to be more fun when it's shared and, possibly, spread as widely as possible throughout the universe.

http://rushthatspeaks.livejournal.com/474330.html
Horace Gerstenblut n'existe pas, or, why Daniel Pinkwater is the greatest living Surrealist
kestrell: (Default)
I've been reading books about New Orleans and, from a book geek point of view, my favorite so far has been _New Orleans, Mon Amour_ by Andrei Codrescu (2006), because he name-drops a lot of other titles set in New Orleans, including _The Mysteries of New Orleans_, a nineteenth century gothic which I had never even heard of (have no fear, a copy is now on its way even as I write this).

It turns out I kind of like this Codrescu guy, so then I read _The Poetry Lesson_ (2010). _The Poetry Lesson_ is a fictionalized memoir about a university professor who is teaching the first class in a college course on poetry, which provides the opportunity to give a passionate defense of why poetry is still relevant, and to name-drop a bit about the poets with whom Codrescu has hung with, not to mention and flirted with their wives (oh, wait, tis is fictionalized memoir, so perhaps Codrescu himself has not actually done those things). I have the feeling this would be annoying if I had to sit through it in real life, but it makes a fun introduction to the poetry of the past four decades or so, about which I am sadly ignorant. Plus I love the idea of being assigned a "ghost companion" (GC), a poet to guide you through your poetry adventures. I wonder who my ghost companion would be?

After that, I was kind of digging the poetry thing, and it is poetry month, so I went ahead and read _The Anthologist_ by Nicholson Baker (2010), which is quieter but another poetry rollercoaster00and wouldn't that be a fantastic surreal project, The Poetry Rollercoaster?--with a perfect final page.

I plan on taking Codrescu's _The Posthuman Dada Guide_ (2009) with me to read in New Orleans, Codrescu's adopted city (Codrescu claims everyone who lives in New Orleans is a surrealist), and next I plan on reading Codrescu's _Messiah_ (1999), which is his version of what happens when the Messiah shows up in modern N.O. Thus, I was amused to read on the Amazon.com blog that James Free has a new book coming out
_The Final Testament of the Holy Bible_
http://www.omnivoracious.com/2011/04/final-testament-holy-bible-james-frey-interview.html
which is being hyped as a radical story about the coming of a modern Messiah, but my reaction was "Again??" because it seems to me this story comes along every few years. Also, I was intrigued not so much by the marketing of the book in two formats, a fifty dollar deluxe edition and a ten dollar digital edition, but by the way in which Free descried the two potential audiences:
block quote start
Frey: ...I think the future of publishing, or one version of it, is in physical books for collectors and serious fans and ebooks for mass distribution.
I believe in that future and want to be a part of it as early as possible.
block quote end
So being willing--not to mention, able--to pay $50 for a book is what makes you "serious", and ebooks are for what, non-serious readers?

February 2024

S M T W T F S
    123
456789 10
11121314151617
18192021222324
2526272829  

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 22nd, 2025 03:50 am
Powered by Dreamwidth Studios