kestrell: (Default)
I'm going to be a maenad for Halloween, and I would like to put together a spooky woods sound effects MP3 thing that I can play on an Echo dot and turn on and off using the Alexa app on my iPhone.

However, just looking through the sound effects MP3s on Amazon has gotten me only a handful of MP3s that I feel are suitable to "spooky woods," and I am wondering if there are resources online that sell something more suitable, like a 45-minute or hour-long MP3 of a theme such as "spooky woods."

I remember I used to have some readers who did sound design for local radio plays and similar project when I was on LJ: are you guys still out there? Any advice?

Sounds I'm searching for: wind and trees rustling, owls and other animals screeching, women/witches chanting and occasionally screaming...what other sounds say "spooky woods"? I figure after the first slow hour of trick or treating, the sound will be drowned out by the screaming of actual small demons, i.e., live children.

Also: I had a $50 gift card for Target and, although I can never find anything I want at Target, this month they had lots of Halloween stuff, including a five foot tall inflatable black dragon! Now, if you know any of the occupants of Melville Keep, you will probably agree with me that a giant inflatable dragon is totally us (failing the fact that we can't acquire an actual live dragon, that is). And it will look pretty kickass with the fog from my fog machine curling around it.
kestrell: (Default)
This past week Alexx and I rewatched "Barton Fink" (Dir. Coen Brothers, 1991), which is one of my *favorite* movies, and when I say "favorite movies," I mean it is one of those movies which causes me to babble on like the movie geek I can be which, fair warning, this post is all about.

There are many reasons to love "Barton Fink": it's a Coen Brothers film with the usual wonderfully quirky performances, including a really funny/terrifying performance by John Goodman.

The reasons I love this film are 1, it's a movie about making movies in Hollywood and 2, it has one of the most innovative and impressive sound designs of any film, ever. It's the film that made me--and many other people-- really sit up and pay attention to how sound design could become a significant part of the narrative of the film, instead of something tacked on as an after thought.

Regarding this last, if you do an online search for films with the best sound design, "Barton Fink" will show up in the top three almost every time ("Apocalypse Now" often shows up as number one).

Having spent the past week researching and reading about "Barton Fink," I thought I would share some of mthe best resources I found.

"Barton Fink" is a movie about making movies in Hollywood circa 1941, and much of the sense of time and place is taken from books written by writers who were actually writing in Hollywood during the 1930s and 1940s. These included many writers such as Raymond Chandler, Nathaniel West, and William Faulkner, who is the basis for W. P. Mayhew. Another book used by the Coens was Otto Freidrich's City of Nets, about German expatriates living in Hollywood in the 1940s. An astounding amount of the dialogue and some of the character details are taken from these books.

The most complete exploration of the literary influences of "Barton Fink" I found is
"Barton Fink: ‘For the Common Man’" in _The Cinema of the Coen Brothers_ by Jeffrey Adams (2015, Columbia University Press) (available on Bookshare.org)

Online resources which provide a similar exploration but which is not quite as extensive are

15 Fiery Facts About 'Barton Fink' | Mental Floss
https://www.mentalfloss.com/article/67383/15-fiery-facts-about-barton-fink

and

How the Sausage Gets Made: Inside the Hollywood Film Industry in Barton Fink and Hail, Caesar! by M. Keith Booker
https://bookerhorror.com/how-the-sausage-gets-made-inside-the-hollywood-film-industry-in-barton-fink-and-hail-caesar/
(this article can also be found in _The Coen Brothers' America_ (2019) by M. Keith Booker)

If you are interested in film sound, the ultimate online resource is
FilmSound.org: dedicated to the Art of Film Sound Design & Film Sound Theory
http://www.filmsound.org/

The following article provides a basic introduction to what sound design is and what a sound editor does, and then gets into exploring the sound design of "Barton Fink."

When Sound Is a Character
By Judith Shulevitz
Aug. 18, 1991
Posted online at
https://www.nytimes.com/1991/08/18/movies/film-when-sound-is-a-character.html

This is an academic article which is part of a journal issue on sound design in film
Barton Fink: Atmospheric Sounds of the Creative Mind
Sound Practices of the Coen Brothers
by Randall Barnes
https://offscreen.com/view/barnes_bartonfink

As I said, "Barton Fink" shows up on most links of best film sound design, and here is a great example:

The Films That Influenced a Sound Design Master
https://www.filmmakeru.com/blog/the-films-that-influenced-a-sound-design-master

"Barton Fink" is filled with many small but anxiety-producing details, and one of these is the motif of the shoes. We always see empty shoes, but never the people they belong to. This reminded me of folklore associated with shoes and death, but also of concentration camp pictures of piles of shoes ("Barton Fink" has other references to World War 2 and fascism).

Folklore abounds with stories of shoes and the dead. In times past, it was thought worthy to make a gift of a pair of new shoes to a poor person at least once in a lifetime. The belief was that, in the afterlife, the person would have to cross barefoot surfaces of thorns and gorse. If one had given shoes to a poor person during life, an old man at the beginning of one's journey would meet one with the same shoes to travel over the thorns without scratch or scale.
This belief is most memorably and creepily covered in
the Lyke Wake Dirge
https://www.youtube.com/watch?v=pgr65_MPVEo&ab_channel=stewuk

Old boots and shoes are commonly found in cemeteries as gravesite remembrances. From Canada to New Orleans modern finds of shoes of various styles have been found draped across and or surrounding grave sides. According to Heck and Heck, the modern practice was inspired by Canadian songwriter Felix Leclerc’s (1914 – 1988) song, “Moi, Mes Souliers” (Me, My Shoes).

foot talk: Dead Men’s Shoes : A brief history of funereal footwear and toe pointing
http://foottalk.blogspot.com/2020/06/dead-mens-shoes-brief-history-of.html

and here are some more pictures and folklore about shoes and the dead, especially in New Orleans
https://diggirl.wordpress.com/2017/01/16/565/

the infamous "Paul is dead" conspiracy theory, when Paul McCartney was pictured not wearing shoes on the album cover of "Abbey Road."
http://feetshoesandsuperstition.blogspot.com/2008/10/feet-shoes-and-superstition-dead-mens.html
kestrell: (Default)
Kes: omigosh the ambient thing yes! The Shirley Jackson Awards video had this background music that was driving me mad, *quite* mad, because every time it started up it made it difficult for me to sift through to what the person was saying, and it added nothing to the content. Music before or after the person was speaking would have been fine, but having music competing with the person speaking is a poor design choice.

https://www.wired.com/story/how-to-make-podcasts-better-for-people-with-hearing-loss/
kestrell: (Default)
Those who know me have probably heard me say on more than one occasion that Halloween and Valentine's Day are really just flip sides of the same holiday, involving chocolate, costumes, and fear.

So, Amazon has just come out with a number of Alexa skills for Valentine's Day, including florists near you and a romantic playlist.

I was thus inspired to say, "Alexa, be scary."

And she began making whooshy wind and wolf howl sounds!

Romance really is in the air.
kestrell: (Default)
Looking at the MIT IAP schedule for Comparative Media Studies, there is actually a game development course being offered on creating an audio game and hey, no programming experience required! Somehow I doubt that the engine for creating the games is accessible, however. But I'm all in favor of more people creating audio-only games, and I'm still a bit boggled that the folks at BoingBoing seemed to like the audio game Papa Sangre.
kestrell: (Default)
It's October! The most wonderful time of the year!

And to help get you in the mood, here are a couple of chill-filled CDs to liven up the dark with terrifying tunes and scarey noises...

1. "The Sound Of Horror", a 3-hour radio program on sound design in modern psychological horror films edited by Brian Carpenter. The program is now remixed and re-edited and available for purchase here via PayPal or major credit card:
http://www.briancarpenter.net/content/buy.html
More information about the show:
http://briancarpenter.net/content/radio-webcasts-the-sound-of-horror.html

2. Posted to Hellnotes
http://hellnotes.com/
(warning: movie trailers will automatically load when you go to this site)

Simon & Schuster has announced a new online audio excerpt is available for Stephen King’s Blood And Smoke.
Description: In Blood And Smoke, Stephen King reads three of his classic short stories including “1408,” which was made into a Dimension Films motion picture starring John Cusack and Samuel L. Jackson.
Also inside are “In the Deathroom” and “Lunch at the Gotham Café,” both horrific tales of withdrawl, desperation, and unfiltered suspense. Enter a nightmarish mindscape of unrelenting horror and shocking revelations as the greatest storyteller of our time takes us inside a world of yearning and paranoia, isolation and addiction. It is the world of the smoker.
This edition includes three CDs and ships on or around October 5, 2010. The suggested retail price is $14.99.
As for the free online excerpt?
You can catch it here: Blood And Smoke
http://books.simonandschuster.com/Blood-And-Smoke/Stephen-King/9781442336216?custd=333073&mcd=ea&view_pc_site=1

February 2024

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