In collaboration with the Underground Railway Theatre
Performed through December 31, 2017
"Magic, Merriment, and Puppetry: Transformation in One Winter's Night"
https://www.centralsquaretheater.org/shows/a-christmas-carol/Yesterday Teenybuffalo and I went to the Central Square Theatre's performance of "A Christmas Carol," and found it to be a very lively and, yes, merry time. Central Square Theatre has a tradition of performing extravagant holiday shows reminiscent of traditional pantomime, but this year they really outdid themselves.
The theatre is set up in the round and, as one is sitting there, waiting for the performance to begin, brightly-garbed street performers wanderin one by one, performing card tricks, playing percussion on found objects, and joking with the audience members. There is even a one-woman Punch and Judy show (tip: keep your eyes on Punch during the show, he is often doing something silly or sarcastic in the background).
It takes one a while to realize that one is in the midst of a London street fair. This continues for quite a while, and the audience is encouraged to get up and interact with the performers.
I loved this immersive aspect to the show, and it definitely set the tone for the rest of the performance.
Finally, one of the children announces the story, and the actress in Indian dress speaks what is possibly my favorite opening line ever,
"Marley was dead, to begin with..."
and then another of the performers picks up the next line, and the story continues to be narrated by the different performers.
Now, those of you who know me have probably heard me go on about how I have read "A Christmas Carol" every Christmas Eve since I was a child, and how in recent years Alexx reads it to me every year, so I believe I am no slouch to be easily impressed by some glib rendition of Christmas Carol. There are a dozen different ways to read the story: a traditional "winter's tale" ghost story, Victorian fantasy, sociopolitical commentary, and yes, disability story, among them.
Thanks to the New York Public Library, one can even experience
Neil Gaiman reading A Christmas Carol from Charles Dickens's own prompt copy
https://www.nypl.org/blog/2014/12/19/podcast-neil-gaiman-christmasallowing the listener to hear the story just as Dickens himself would have read it aloud to his audience.
So when I say that the Central Square Theatre's production manages to make the story fresh and fun, please take my word for it and go see this production.
And they really did cast the most adorable Tiny Tim ever, and he has an exceptionally beautiful voice.
I don't want to ruin the many surprises the performers offer, but I do want to send a shoutout to one of my favorite ghosts ever, the Ghost of Christmas Present, who in this multicultural version had a Jamaican accent ("Come in and know me better, mon!").
I also wish to share one of my favorite moments.
Those of you who know Teenybuffalo know how she loves dancing, so when the story got to the part with the dancers at Fezziwig's office party, and an awkward Scrooge came over to ask Teenybuffalo if she would show him how to dance, it couldn't have been funnier if there was a blinking sign over Tb's head shouting "Ask me to dance, PLEASE!". (Come to think of it, perhaps there is, and no one ever told me.) And the group did actually perform an entire country dance, during which I heard Tb whirl by with a gleeful "Hi, Kes!".