kestrell: (Default)
[personal profile] kestrell
I like to think that I am not a total Torquemada when it comes to historical accuracy in novels set in the medEvil period, but there are some clankers which set me to brooding.

Just as a for instance: it is highly unlikely that an English monk living in an eighth-century monastery would be able to see his reflection in a glass window.

Also, it is just as unlikely that a medieval woman would show a guest into her living room.

I know, I know-- I am just a cranky elitist snob throwing the cold water of historical continuity upon some poor author's creativity, but I can't help feeling that authors should make some pretense of not gratuitously crossing over the yellow line while blithely barreling down the highway of poetic license.

Date: 2013-05-24 05:37 pm (UTC)
negothick: (Default)
From: [personal profile] negothick
As usual, you've read my mind. I was going to add that to my post, then decided against it. Yes, I was just visiting the Leffingwell House, built in the early 18th century, and it's barely possible to see through the original glass.

Date: 2013-05-24 05:50 pm (UTC)
negothick: (Default)
From: [personal profile] negothick
Maybe you're remembering Lovecraft's "The Unnameable", about "the impressions left by old faces on the windows through which they had gazed all their lives" and the monster that "someone saw it at the window centuries later and couldn’t describe what it was" or "The Picture in the House" with its "bleared" windows hiding the cannibal owner. There's probably also a more contemporary fantasy as you describe it, and if I think of it, I'll let you know.

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