From e "Magic Shows" issue of Lapham's Quarterly, here is a guy who sounds as if he should feature in his own horror movie, because this seems to be the earliest trope of the illusionist who really was aiming to perform real magic.
http://www.laphamsquarterly.org/biography/stage-light.php?page=all
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For Philippe Jacques de Loutherbourg..., art and occultism were fundamentally joined at the level of craft. Unwilling to conceive of his practice as anything other than inherently mystical, he had, since his earliest days as a student in Strasbourg, combined his studies in painting with alchemical research to such an extent that he credited alchemy with leading him to discover a new way of fixing and enhancing pigments that would become the central element of his noted facility with color. The language of color was an important part of alchemical study, and Loutherbourg made himself its master, filling his paintings with its imagery, illuminating his canvases with creative and destructive flames, the subtle arcana of the magic world he felt inhabited his art.
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he also threw one hell of a Christmas party for William Thomas Beckford, author of the gothic novel _Vathek_ and designer of his own personal gothic abbey, Fonthill Abbey. The description of the three days in which the guests wandered through a never-ending series of illusions, mysterious music, scents which drifted through the air before mysteriously dissapating, etc., kind of sounds like being trapped in Hill House, no matter how pleasant the visions were intended to be.
http://www.laphamsquarterly.org/biography/stage-light.php?page=all
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For Philippe Jacques de Loutherbourg..., art and occultism were fundamentally joined at the level of craft. Unwilling to conceive of his practice as anything other than inherently mystical, he had, since his earliest days as a student in Strasbourg, combined his studies in painting with alchemical research to such an extent that he credited alchemy with leading him to discover a new way of fixing and enhancing pigments that would become the central element of his noted facility with color. The language of color was an important part of alchemical study, and Loutherbourg made himself its master, filling his paintings with its imagery, illuminating his canvases with creative and destructive flames, the subtle arcana of the magic world he felt inhabited his art.
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he also threw one hell of a Christmas party for William Thomas Beckford, author of the gothic novel _Vathek_ and designer of his own personal gothic abbey, Fonthill Abbey. The description of the three days in which the guests wandered through a never-ending series of illusions, mysterious music, scents which drifted through the air before mysteriously dissapating, etc., kind of sounds like being trapped in Hill House, no matter how pleasant the visions were intended to be.