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I downloaded _Reamde_ either Wednesday or Thursday, and I've been pretty much reading it continuosly since then. While it is another one thousand page tome, I found it to be fast-paced and enjoyable from start to finish.
I think Reamde_ may be Stephenson's most technically mature work so far: not only is it well-plotted and well-paced, but the story keeps going right up until the end (saving a very short but satisfying epilogue chapter), completely avoiding Stephenson's weakness--until now--of having very weak abrupt endings.
I don't really want to say too much about the story, since it has lots of surprises, but I will say that it is a cyberthriller which involves an online game, and all fo he characers are believably non-superhuman. Also, there's a believable disabled character and everybody keeps their scars at the end, as opposed to to the sort of story where everyone seems to have access to magic healing spells.
For the curious, Jaws unexpectedly but happily pronounces the title (which I think is correct) as "reamed," although Jaws pronounces "reamed" as "re-aimed."
I think Reamde_ may be Stephenson's most technically mature work so far: not only is it well-plotted and well-paced, but the story keeps going right up until the end (saving a very short but satisfying epilogue chapter), completely avoiding Stephenson's weakness--until now--of having very weak abrupt endings.
I don't really want to say too much about the story, since it has lots of surprises, but I will say that it is a cyberthriller which involves an online game, and all fo he characers are believably non-superhuman. Also, there's a believable disabled character and everybody keeps their scars at the end, as opposed to to the sort of story where everyone seems to have access to magic healing spells.
For the curious, Jaws unexpectedly but happily pronounces the title (which I think is correct) as "reamed," although Jaws pronounces "reamed" as "re-aimed."
no subject
Date: 2011-09-27 12:36 pm (UTC)Speaking of typography, this cover shows the letters READ in one color and ME in another, so as to lure the potential print reader in.
My typesetting self recoils at the the thought of "stop relying on typography" but I must admit that very few print readers I've worked with understand what italics or extra line space mean. Vertical space plus printers' flowers (from a simple asterisk or two to dramatic swashes), on the other hand, are more readily appreciated, which serves to bolster your argument.
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Date: 2011-09-27 12:48 pm (UTC)no subject
Date: 2011-09-27 07:58 pm (UTC)Were you reading a commercial e-book? Were any typographic structural info discernable? Are Bookshare.org's products HTML or flat text? And for the last flurry in this question: how do you set your voices to distinguish between plain, italic, and bold?
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Date: 2011-09-27 10:01 pm (UTC)While the resultant etexs offer some level of Daisy formatting, it varies widely. Sometimes I can move through the book by chapter, and frequently all I can do is move to the beginning or the end, or through by an independent increment, such as a page (Bookshare does insist on preserving page breaks). However, Bookshare doesn't adhere to the most recent versions of Daisy which allow for a significantly increased amount of navigational options.
I don't really set up Jaws to tell me about italics, or other special fonts, I just tend to plow through, and if a bit sounds confusing, I will use the Jaws keyboard command to determine the font of a word or character, and what punctuation is involved.
Even if the formatting is there, however, few, if any, of the accessible ebook readers can access this information. My BookSense doesn't even say if a letter is an upper or lower case, let alone if it is italic.
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Date: 2011-09-27 10:03 pm (UTC)no subject
Date: 2011-09-28 02:13 pm (UTC)